All oil paint is slow drying and has particles of pigment mainly linseed oil incorporated into it. The thickness of the paints can be changed by adding turpentine as well as white spirit also known as paint thinner. When seeking an oil portrait artist in NYC clients can also add varnish so that the end results show a very lustrous finish.
Paintings that are done with oil have been around since the twelfth century in Europe and they were done for decoration purposes. It only became an artist's method around the fifteenth century. It has of late been used in paint on glass animation; this is a way of making animation films by using the slow drying paint on large sheets of glass. A Russian by the name of Aleksandr Petrov has won many awards with this method and has used them in seven different films.
He has been awarded many awards and was placed first in the Portrait Society of America for their International Portrait Competition. He was also a finalist for receiving second place as well as honor awards for three years running in the American Society of Portrait Artists Competition. His portrait of Julia gave him an Honorable Mention in the Artists Magazine Portrait Competition. There were thousands of entries and his was one of six selected.
Nanette Flehr has over twenty years experience in creating portraits and many hang in public collections all around the world. One of her most famous is the "Portrait of my Grandfather" and this was placed in the top ten out of over two thousand entries sponsored by the Artist's Magazine. She received the Martin F. Weber award at the Catherine Lorillard Wolfe Art Club and a year later her portrait of Phyllis was exhibited.
In 1987 Nanette graduated and went on to get her Bachelor of Fine Arts degree from The School of Visual Arts. For her exceptional achievement she received the Rhodes Family Award. While there she met John F. Murray who later became her mentor. He taught her how to paint, refine her picture making and drawing skills and under his guidance she painted replicas of Van Dyke, Rembrandt as well as Velazquez and LeBrun.
She gives classes of Painting the Portrait and the Figure in oil from life. The student will work from a live model and in the classic tradition each will learn the principles of painting and figures. One will be shown how to get a true likeness as well as an understanding of light. Creating that three dimensional illusion will be taught as well.
For artists that prefer their whites to be vibrant they would rather use the poppy and safflower oils as they leave a much lighter shade then when using linseed oil. Heat or steam is used to development and treat the different oils so that fewer impurities are found. In some instances certain additives are added so that the chemical properties can be changed.
Many of the pigments that are used are very toxic while some such as acetoarsenite and orpiment have been taken away completely. There are however many that is still in use such as cadmium and vermillion which are yellows and reds. Many blue colorings are made with cobalt arsenate which is made up of arsenic and sulfur as well as ten percent of iron and nickel.
Paintings that are done with oil have been around since the twelfth century in Europe and they were done for decoration purposes. It only became an artist's method around the fifteenth century. It has of late been used in paint on glass animation; this is a way of making animation films by using the slow drying paint on large sheets of glass. A Russian by the name of Aleksandr Petrov has won many awards with this method and has used them in seven different films.
He has been awarded many awards and was placed first in the Portrait Society of America for their International Portrait Competition. He was also a finalist for receiving second place as well as honor awards for three years running in the American Society of Portrait Artists Competition. His portrait of Julia gave him an Honorable Mention in the Artists Magazine Portrait Competition. There were thousands of entries and his was one of six selected.
Nanette Flehr has over twenty years experience in creating portraits and many hang in public collections all around the world. One of her most famous is the "Portrait of my Grandfather" and this was placed in the top ten out of over two thousand entries sponsored by the Artist's Magazine. She received the Martin F. Weber award at the Catherine Lorillard Wolfe Art Club and a year later her portrait of Phyllis was exhibited.
In 1987 Nanette graduated and went on to get her Bachelor of Fine Arts degree from The School of Visual Arts. For her exceptional achievement she received the Rhodes Family Award. While there she met John F. Murray who later became her mentor. He taught her how to paint, refine her picture making and drawing skills and under his guidance she painted replicas of Van Dyke, Rembrandt as well as Velazquez and LeBrun.
She gives classes of Painting the Portrait and the Figure in oil from life. The student will work from a live model and in the classic tradition each will learn the principles of painting and figures. One will be shown how to get a true likeness as well as an understanding of light. Creating that three dimensional illusion will be taught as well.
For artists that prefer their whites to be vibrant they would rather use the poppy and safflower oils as they leave a much lighter shade then when using linseed oil. Heat or steam is used to development and treat the different oils so that fewer impurities are found. In some instances certain additives are added so that the chemical properties can be changed.
Many of the pigments that are used are very toxic while some such as acetoarsenite and orpiment have been taken away completely. There are however many that is still in use such as cadmium and vermillion which are yellows and reds. Many blue colorings are made with cobalt arsenate which is made up of arsenic and sulfur as well as ten percent of iron and nickel.
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